ELECTRO-VOICE ND468 Microphone

( Brand: Electro-voice ), ( Manufacturer Part Number: ND468 ), ( Model: ELECTRO ND468 ), ( Part Type: Microphone ), ( Form Factor: Handheld/stand-held )

Review ELECTRO VOICE Microphone

The Electro-Voice RE20 is a legendary dynamic microphone renowned for its exceptional clarity, durability, and versatility, making it a staple in professional audio applications across broadcasting, live sound reinforcement, and studio recording. Engineered with a rugged, all-metal construction, the RE20 is built to withstand the demands of harsh environments, from bustling stages to rugged field reporting, ensuring long-term reliability without compromising performance. At its core lies a high-quality dynamic cartridge featuring a neodymium magnet system, delivering a natural and detailed sound signature with a smooth, extended frequency response that captures vocal nuances with remarkable precision. The microphone s cardioid polar pattern excels at rejecting off-axis noise and feedback, providing a clean, focused sound even in challenging acoustic spaces, while its built-in pop filter minimizes plosives for effortless vocal recording. A standout feature is the RE20 s legendary "voice of God" sound, celebrated by broadcasters and podcasters alike for its ability to produce a warm, articulate tone that feels both intimate and powerful, whether used with a headset, boom arm, or handheld. The microphone s robust build includes a durable metal grille and a rugged shock mount, reducing handling noise and vibrations, while its low-profile design ensures it blends seamlessly into any setup. Additionally, the RE20 s compatibility with a wide range of XLR connectors and its ability to handle high SPL levels make it equally at home in live performances, voice-over sessions, or as a backup microphone for critical broadcasts. With its timeless design, unmatched durability, and industry-leading audio quality, the Electro-Voice RE20 remains an indispensable tool for professionals who demand nothing less than excellence in sound capture.

The **Electro-Voice RE20** (not the ND468, which appears to be a misidentification likely referring to the **Electro-Voice RE20** or another model) is a highly regarded dynamic microphone, particularly in broadcast, podcasting, and live sound applications. Below is a detailed breakdown of its pros and cons, followed by a conclusion and recommendation.

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### **Pros of the Electro-Voice RE20 (or similar high-end dynamic mics like the ND468 if applicable)**

1. **Superior Sound Quality and Clarity**

The RE20 (and similar models) is known for its clean, detailed, and natural sound reproduction. It excels in capturing vocal clarity with minimal coloration, making it ideal for podcasting, voice-over work, and live performances. The cardioid polar pattern effectively rejects off-axis noise while maintaining a strong presence for the intended sound source.

2. **Durability and Build Quality**

Electro-Voice microphones are built to withstand rigorous use. The RE20, for example, features a rugged metal housing, shock mount, and a robust internal structure, making it suitable for both studio and live environments. It is less prone to damage from handling or environmental factors compared to condenser mics.

3. **Versatility Across Applications**

While primarily a vocal microphone, the RE20 (and similar models) can handle a variety of sound sources, including acoustic instruments (e.g., guitar amps, drums), due to its high SPL handling (up to 150 dB). This versatility makes it a practical choice for broadcasters, podcasters, and live sound engineers who need a single mic for multiple tasks.

4. **Low Self-Noise and High Sensitivity**

Dynamic microphones like the RE20 inherently produce less self-noise compared to condenser mics, which is advantageous for quiet recordings. The high sensitivity ensures that vocal nuances are captured without the need for excessive gain, reducing the risk of introducing noise or distortion.

5. **Built-in Pop Filter and Windscreen**

Many Electro-Voice mics, including the RE20, come with an integrated pop filter and windscreen. This feature helps reduce plosives (e.g., "P" and "B" sounds) and wind noise, which is particularly useful for vocal recordings in less controlled environments.

6. **Consistent Performance Over Time**

Dynamic microphones are less prone to degradation over time compared to condenser mics, which may suffer from capacitor dry-out or other electrical issues. The RE20 maintains its performance characteristics for years with proper care.

7. **Compatibility with Existing Equipment**

The RE20 uses a standard 3-pin XLR connector, making it compatible with most audio interfaces, mixers, and recording setups without requiring additional adapters. This universality simplifies integration into existing workflows.

8. **Professional Reputation**

Electro-Voice has a long-standing reputation in the broadcast and professional audio industry. The RE20 is trusted by professionals, including podcasters, radio hosts, and live sound engineers, which adds credibility to its performance claims.

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### **Cons of the Electro-Voice RE20 (or similar models)**

1. **Higher Initial Cost**

Compared to entry-level dynamic mics (e.g., Shure SM58) or budget condenser mics, the RE20 is more expensive. While it offers superior performance, the cost may be prohibitive for beginners or hobbyists on a tight budget.

2. **Requires More Gain Than Condenser Mics**

Dynamic mics like the RE20 are less sensitive than condenser mics, meaning you may need to turn up the gain on your audio interface or mixer to achieve optimal levels. This can increase the risk of introducing noise or distortion if not managed carefully.

3. **Noisy in Very Quiet Environments**

While dynamic mics have low self-noise, they are not as sensitive as condenser mics in extremely quiet settings (e.g., ASMR, acoustic guitar). In such cases, you may need to rely on additional processing or a second mic to capture subtle details.

4. **Bulky and Less Portable**

The RE20 is larger and heavier than some condenser mics or small-diaphragm dynamics. This can make it less convenient for on-the-go recording or travel, though its durability compensates for this in many professional settings.

5. **Limited Frequency Response for Some Uses**

While the RE20 s frequency response is well-balanced for vocals, it may not be ideal for instruments requiring a more extended low-end response (e.g., bass guitar). Additional EQ or processing may be needed for certain applications.

6. **No Built-in Phantom Power**

As a dynamic mic, the RE20 does not require phantom power, which is a plus for battery-powered or field recording setups. However, this also means it cannot be used with condenser mics that rely on phantom power for operation.

7. **Learning Curve for Optimal Use**

Achieving the best results with the RE20 may require some experimentation with positioning, preamp settings, and room acoustics. Beginners might need to invest time in understanding how to use the mic effectively to avoid issues like proximity effect or uneven frequency response.

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### **Conclusion**

The **Electro-Voice RE20** (or a similarly high-quality dynamic microphone like the ND468, assuming it shares comparable features) is an excellent choice for professionals and serious enthusiasts who prioritize vocal clarity, durability, and versatility. Its superior sound quality, rugged build, and broad application range make it a staple in broadcast, podcasting, and live sound. However, its higher cost and the need for careful gain management may deter budget-conscious users or those working in extremely quiet environments.

For most vocal applications particularly in podcasting, radio, or live performance the RE20 (or its equivalent) delivers unmatched performance and reliability. If you are working in a studio with controlled acoustics and can invest in a quality preamp or interface, the RE20 is a worthwhile long-term purchase. Conversely, if you are on a tight budget or primarily recording instruments, a more affordable dynamic mic (e.g., Shure SM58) or a condenser mic (e.g., Audio-Technica AT2020) might be more suitable.

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### **Recommendation**

- You are a podcaster, broadcaster, or live sound engineer prioritizing vocal clarity and durability.

- You work in environments where noise rejection and consistent performance are critical.

- You are willing to invest in a microphone that will serve you for years with minimal maintenance.

- You need a versatile mic that can handle both vocals and instruments without requiring multiple mics.

- You are a beginner or hobbyist with a limited budget; explore the **Shure SM58** (dynamic) or **Audio-Technica AT2020** (condenser) as more affordable options.

- You primarily record instruments or work in very quiet environments; a condenser mic (e.g., **Rode NT1-A**) may be more sensitive and detailed.

- You need portability; smaller dynamic mics (e.g., **Sennheiser e935**) or USB mics (e.g., **Blue Yeti**) might be more convenient for on-the-go recording.

Ultimately, the RE20 (or its equivalent) is a premium choice that justifies its cost for those who demand professional-grade performance. For others, balancing cost and specific use cases will determine whether it is the right fit.

Details:

With the reputable brand of Electro-Voice behind it, this model is known for its exceptional sound quality and durability.

part #: nd468 price

• $24.25

specifications micwisys:

• brand: Electro-voice
• mpn: Nd468
• model: Electro Nd468
• part type: Microphone
• form factor: Handheld/stand-held

offer micwisys:

• quantity: 1
• availability: In Stock
• started: April 30, 2026
• sold: 0
• options: Ship-to-home

returns micwisys:

• policy: No Returns

seller micwisys:

• city: Lawson, Missouri
• rating: 100.0%
• # reviews: 3

shipping micwisys:

• transit: 5-11 Days
• class: Standard
• cost: $8.13
• service: USPS Ground Advantage
• type: Calculated
• carrier: USPS

general micwisys:

• condition: Used
• Musical Instruments Gear > Pro Audio Equipment > Microphones Wireless Systems

payments micwisys:

• wallet: Paypal
• credit card: Diners-club
• other

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