EARTHWORKS SR25-G2 Diaphragm Condenser Cymbal Microphone

( Brand: Earthworks ), ( Manufacturer Part Number: SR25-G2 ), ( Model: SR25 G2 ), ( Part Type: Condenser Microphone ), ( Polar Pattern: Supercardioid ), ( Color: Silver ), ( Diaphragm Size: Small ), ( Transducer Type: Condenser )

Review EARTHWORKS Gen Small diaphragm Condenser Cymbal Microphone

The **EarthWorks SR25-G2 SR25 Gen Small-Diaphragm Condenser Cymbal Microphone** is a meticulously engineered, high-performance tool designed to capture the intricate dynamics and shimmering overtones of cymbals with unparalleled clarity and precision. Part of EarthWorks renowned SR series, this microphone represents a refined evolution of their legendary SR25 design, now featuring a second-generation preamp that delivers enhanced signal integrity, reduced noise, and a more extended frequency response ideal for capturing the full spectrum of cymbal crashes, splashes, and sustained cymbal swells with surgical accuracy. The compact, lightweight small-diaphragm capsule (1/4-inch) ensures a tight, focused polar pattern, minimizing unwanted room reflections and ambient interference while isolating the cymbal s natural attack and decay. Its omnidirectional response is optimized for capturing the full width and depth of cymbal sound, whether used as a single mic for a focused recording or paired with another SR25-G2 for a stereo pair that immerses the listener in the symphonic or rock-driven textures of a performance.

The SR25-G2 s preamp is a marvel of analog precision, featuring a low-noise, high-headroom design that preserves the dynamic range and transient detail critical for cymbal recording. With a flat, extended frequency response (ranging from 20Hz to 20kHz), it faithfully reproduces the cymbal s metallic brilliance, from the sharp high-end splatter of a ride cymbal to the deep, resonant thud of a crash. The microphone s robust build quality, with a sturdy metal body and durable mounting hardware, ensures stability during high-energy performances, while its low self-noise (a mere 12dB-A) guarantees that the microphone itself doesn t intrude on the delicate nuances of the cymbal s sound. The inclusion of a built-in high-pass filter (with a customizable cutoff) allows engineers to tailor the response to the recording environment, reducing unwanted low-end rumble or room modes without sacrificing the cymbal s natural attack.

Ideal for studio, live sound, and broadcast applications, the SR25-G2 excels in a variety of musical genres, from orchestral and jazz recordings to modern rock, metal, and electronic music production. Its versatility extends beyond cymbals, as well engineers often deploy it for snare drums, tambourines, and other percussion elements where a tight, detailed sound is essential. The microphone s balanced output and high SPL handling (up to 130dB) make it equally at home in loud, high-gain environments as it is in controlled studio settings. Pairing it with EarthWorks other SR series mics (such as the SR22 or SR33) creates a cohesive, high-end microphone ecosystem that delivers consistency and excellence across an entire recording or live sound setup. Whether used as a standalone workhorse or as part of a multi-mic array, the SR25-G2 SR25 Gen Small-Diaphragm Condenser Cymbal Microphone stands as a testament to EarthWorks commitment to crafting tools that push the boundaries of audio capture delivering a sound so pure and detailed that it feels like the cymbal itself is singing.

### **Pros and Cons of the Earthworks SR25-G2 (SR25 Gen Small-Diaphragm Condenser Cymbal Microphone)**

1. **Superior Cymbal Capture** The SR25-G2 is specifically designed for cymbals, offering a bright, detailed, and aggressive response that accurately reproduces the attack, sustain, and harmonics of crash, hi-hat, and ride cymbals. Its small-diaphragm design allows for precise imaging of cymbal splatter and transients.

2. **High-Quality Sound Reproduction** Earthworks microphones are known for their natural, transparent sound with minimal coloration. The SR25-G2 delivers a clean, extended high-end response that enhances cymbal clarity without excessive sibilance or harshness.

3. **Durability and Build Quality** The microphone is built to withstand the rigors of live and studio environments. Its robust construction and shock-mounted capsule protect it from mechanical noise and physical stress.

4. **Versatility Beyond Cymbals** While primarily a cymbal mic, the SR25-G2 can also be used for other percussive instruments like tambourines, shakers, and even acoustic guitar highs, though it excels most on cymbals.

5. **Low Self-Noise** Earthworks microphones are renowned for their low self-noise levels, which is crucial for capturing quiet cymbal details without introducing unwanted background hiss.

6. **Consistent Performance** The SR25-G2 maintains a stable frequency response across different playing dynamics, making it reliable for both soft and loud cymbal work.

7. **Compatibility with Mixing** Its extended high-frequency response (up to 20 kHz) allows for more flexibility in mixing, enabling engineers to blend it seamlessly with other instruments or process it with EQ and compression without losing detail.

8. **Professional-Grade Reputation** Earthworks is a trusted brand in the audio industry, particularly among engineers and producers who prioritize accuracy and transparency in their recordings.

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1. **Price** The SR25-G2 is an expensive microphone, often costing several hundred dollars. For budget-conscious producers or small studios, this may be a significant investment, especially if they only need it for cymbal work occasionally.

2. **Polar Pattern Limitations** Like most small-diaphragm condenser mics, the SR25-G2 uses a cardioid polar pattern, which means it picks up sound primarily from the front while rejecting some rear noise. However, in live or uncontrolled environments, this may not be sufficient for all applications, and additional treatment (like isolation shields) may be needed.

3. **Requires Phantom Power** As a condenser microphone, the SR25-G2 requires 48V phantom power, which means it cannot be used with battery-powered or non-phantom-powered preamps without an adapter.

4. **Sensitivity to Handling Noise** Small-diaphragm condensers can pick up handling noise (e.g., finger taps, microphone wind) if not properly supported or shock-mounted. While the SR25-G2 is durable, it still requires careful handling to avoid introducing unwanted noise into recordings.

5. **Not Ideal for All Cymbal Types** While the SR25-G2 excels on crash and ride cymbals, some engineers may find that it lacks the warmth or body needed for certain hi-hat or splash cymbals. Pairing it with another mic (like an AKG D112 or Shure SM81) might be necessary for a balanced sound.

6. **Limited Low-End Response** As a small-diaphragm mic, the SR25-G2 does not reproduce low frequencies well. This is not a drawback for cymbals but means it won t be useful for bass drums or toms.

7. **No Built-In Pop Windshield** Unlike some other mics, the SR25-G2 does not come with a pop windshield or foam cover. In untreated environments (e.g., live performances), this could lead to plosives or breath noise if the mic is too close to the source.

8. **Requires Proper Placement** Achieving the best sound with the SR25-G2 demands careful mic placement. Placing it too close or too far can result in a less desirable tone, and inexperienced users might struggle to optimize its performance without trial and error.

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The Earthworks SR25-G2 is one of the best small-diaphragm condenser microphones for capturing cymbals, offering unmatched clarity, aggression, and high-frequency detail. Its build quality, low self-noise, and professional-grade sound make it a favorite among engineers working on drum recordings, live performances, and studio productions where cymbal accuracy is critical.

However, its high cost, sensitivity to handling noise, and specific polar pattern limitations may make it less practical for users with tight budgets or those who need a more versatile microphone. Additionally, its lack of low-end response and requirement for phantom power could be dealbreakers for certain applications.

If cymbal recording is a priority and budget is not a constraint, the SR25-G2 is an excellent investment. For users who need a more affordable or multi-purpose microphone, alternatives like the AKG D112, Shure SM81, or Sennheiser MKH 40 (a dynamic option) might be worth considering.

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- You are a professional engineer or producer working on drum recordings where cymbal clarity is essential.

- You prioritize natural, extended high-frequency response and are willing to invest in a premium microphone.

- You have a controlled environment (studio or treated live space) where the microphone s sensitivity and polar pattern will not be problematic.

- You plan to use it exclusively or primarily for cymbals and percussive instruments.

- You need a more budget-friendly option that still delivers great cymbal performance (e.g., AKG D112, sE Electronics sE8).

- You require a microphone that can handle a wider range of instruments beyond cymbals.

- You work in an untreated live environment where handling noise or polar pattern limitations could be an issue (in which case, a dynamic mic like the Shure SM57 or Sennheiser MD 421 might be more practical).

Ultimately, the SR25-G2 is a top-tier choice for cymbal recording, but its value depends on your specific needs, budget, and workflow.

Details:

Stuck a different bigger mic on the clip that comes with it so cracked, as shown in picture. Don't have original earthwork case so I will include this as shown Bought brand new on Sweet water in 2024 Rarely used it. But still holds the mic. The mic is in perfect condition.

part #: sr25g2 prices

• $299.99-$1238.00

specifications micwisys:

• brand: Earthworks
• mpn: Sr25-g2
• model: Sr25 G2
• part type: Condenser Microphone
• polar pattern: Supercardioid
• color: Silver
• diaphragm size: Small
• transducer type: Condenser

shipping micwisys:

• type: Calculated
• class: Standard
• cost: $0.00
• carrier: USPS
• service: USPS Ground Advantage
• transit: 6-12 Days

payments micwisys:

• other
• wallet: Apple-pay
• credit card: Mastercard

seller micwisys:

• # reviews: 7
• city: Westminster, California
• rating: 100.0%

returns micwisys:

• policy: No Returns

general micwisys:

• Musical Instruments Gear > Pro Audio Equipment > Microphones Wireless Systems
• condition: Used

offer micwisys:

• sold: 0
• options: Ship-to-home
• started: March 29, 2026
• best offers: True
• quantity: 1
• availability: In Stock

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